
Samet Durgun, Photographer
As a first-generation immigrant and queer artist living in Berlin, I've grappled with the question of belonging. I found connection with gender-nonconforming, queer, transgender refugees and asylum seekers in the city, whose intricate identities inspire deep respect in me. More →
Come Get Your Honey, 2018–21
The book

Come Get Your Honey
Kehrer Verlag, June 2021 · ISBN 978-3-96900-031-1
Come Get Your Honey was made with queer, trans and gender-nonconforming refugees and asylum seekers in Berlin, over three years of shared time. It began with a question I could not put down: what if photography is more about listening than seeing?
Nearly fifty people are behind the work; around fifteen portraits carried the final series, mixing visibility and anonymity — some collaborators chose to be seen, others chose not to be, and the book holds both choices with equal weight. The portraits sit next to photographs of Berlin itself, keeping the city’s openness and its harshness on the same pages.
Exhibitions

Gaze and Skin 2026

Come Get Your Honey 2025

Love, Lust and Freedom 2024–25

Seen By #15: Nothing Ever Happened (Yet) 2021
Journal
Photography as Listening: A Conversation About Come Get Your Honey
Photographer Samet Durgun on listening rather than seeing, and making the photobook Come Get Your Honey in Berlin. Full talk and notes.
How Fifty People Became Fifteen Pictures
On editing Come Get Your Honey: why most of the work never made the book, and the pictures held back on purpose.
Why the Book Has Audio and Video in It
The question from Marianne Ager that would not go away, and how it turned Come Get Your Honey into a small universe with audio and video.
Press
Featured in
Prints & artist editions
Information
My work challenges the traditional view of photography as merely seeing, proposing that it can be more about listening. I seek to capture people in their wholeness, embracing their differences while recognizing the limitations of representation. My images reflect my personal relationships and impressions of their stories, making them a subjective representation of my own experiences.























































